[2026]
Stop Breaking my Balls — 04.05.25
A rant, a contract, and a business card
The Box, Werkplaats Typografie
Tweede Leeghwaterstraat 5B,
1018 RA Amsterdam
Big Thanks to
Sara De Bondt, Alex Barbaix, Anniek Brattinga, Jeroen Vermandere, Manon Fraser, Sanie Irsay, Laurens Otto, Johanna Grazer, Alva Bucking, Matthias Visschedijk, Robert Milne, Armand Mevis, Danny van den Dungen & Everyone present that day!
And of course, Josh Croll for taking these pictures.
[2026]
Poster for A Box, Some Boxes — Inez de Rijke.
Silkscreen printed on cardboard.
[2026]
Poster and business card-sized invitation for
Mammut
an exhibition by Milena Anna Bouma
Museum Perron Oost, 14.05–16.07.26
[2026]
Graphic Design and Font Design for the exhibition ‘Amsterdam Auto Stad’
Van Eesteren Museum
28.02.–03.05.26
Font: Lanemarks, available on request.
Spatial design by Martine Duyvis.
Curated by Job Swart, Thijs Besemer, and Jorn Konijn.
Photograhpy by Beyond Borders Productions.
[2025]
BELSITO! YES DEAR
BELSITO! YES DEAR is a reaction to Hans Koetsier’s work AMSTERDAM! YES DEAR, printed 50 years ago in newspaper Het Parool on the occasion of Amsterdam’s 700-year anniversary. Set in a bold condensed typeface, it borrows the graphic language of advertisement, yet it does not aim to sell or convince; it simply interrupts the daily stream of news and ads with its own whimsical messages and subtle provocations. In the case of this particular spread, it functions as an ode to the city.
BELSITO! YES DEAR is a playful echo of Koetsier, an ode to house Belsito.
Graphite on paper, glass clip frame.
STAMPA design by Maureen Mooren (after the original design of the newsletter by Jan Mot Gallery, designed by Maureen Mooren and Daniël van der Velden in 2001)
[2025]
when are you? – Collected writings from the Critical Studies Department, Sandberg Instituut
With contributions by Macarena Magaña Villar, Francesca D’Errico, Antonina Swietlicka, Christina Reindhardt, Emma Nyhof Ajdari, Mia You, Eva Delville, Sara Vallis, Philippine Talamona, Paul Schmidt, António Manso Preto, gervaise alexis savvias.
Special thanks to Taylor Anthonijsz.
ISSUE ISSUE is a series of erratically published issues, each issue addressing an issue. The issues touch upon themes of protest and subversion, ranging from bigger issues—censuring, oppression, anti-capitalist ideas, to smaller issues—a disruptive sign, a ‘fly posted’ poster, or a banner.
ISSUE ISSUE draws from archives and reprints to bring attention to something of the past, as well as addressing temporary issues, drawing parallels between the now and the then. In doing so, it aims to inform and inspire current movements and itself.
ISSUE ISSUE aims to step out of the virtual world, it exists physically and travels between places and people.
ISSUE ISSUE aims to be communal and is very open to collaborations.
Find more on ISSUE ISSUE.
photos: ISSUE ISSUE #1 — Hi Red Center Postcardcaptured by Josh Croll.
[2025]
Logo for tender prospects.
gallery, library, and bookstore
Travessa da Paz 17, 1200–742 Lisbon, PT
Picture by Mayte Breed.
Thanks to Rolien Sandelowsky.
[2024]
Identity for Cosmo Tacos.
Korte Papaverweg 17, 1032 KA Amsterdam
Picture by Julia Holmes.
[2024]
Alternative cover for Giovanni’s Room — James Baldwin.
[2024]
Alternative cover for Jimmy’s Blues — James Baldwin.
[2023]
Wine label for Terra Torre, a red wine from Chianti, Tuscany. The vineyards are farmed organically, and in the cellar, no added chemicals, additional intervention, or filtration play a role in vinification.
Thanks a lot to Bob and Isabella for asking me to work together with them on this project.
Pictures by Isabella van Marle.
Produced by Buondonno, available at twee prinsen, binnenvisser, and calisto.
[2022–ongoing]
Posters for Twee Prinsen.
See also: the fairly fermented mix series curated by local DJs who each inspired their selection on one particular wine.
[2022]
This past spring I made the first poster for 2 Worlds, 1 Sound—a musical event consisting of several gigs highlighting the seven largest non-Western immigrant groups in Amsterdam, organised by Radio TNP. For this first event, focusing on Indonesia, they invited Derozan and Krishna Sutedja to collaborate on a hybrid performance of both acoustic and electronic music. Soon more gigs will follow, stay tuned!
[2023, update]
A successive gig, focusing on Marocco, with Hamza Amrani & Inezgane Records—guiding us from North to South through a wide range of local music—combining the Ud with electronic sounds in a complementary way.
[2022]
Poster for Green Screens pt.2—a screening series organized by Callum on ecology, environment, and cinema at the Sandberg Institute.
A2 silkscreen.
[2022]
Alternative cover for The Plot Against America — Philip Roth.
[2021]
Publication design for the exhibition Shameless by Bas van Beek at The Wolfsonian–FIU, Miami. Organized in collaboration with Het Nieuwe Instituut, Rotterdam.
Offset printed by Shapco Printing Minneapolis in an edition of 6000.
[2021]
Poster for Green Screens—a screening series organized by Callum on ecology, environment, and cinema at the Sandberg Institute.
A2 silkscreen.
[2021]
A wedding invitation for Ellen & Jan.
A6 silkscreen.
[2021]
Over the past few months, Vera and I have been working on rawcooked magazine. This spring our 1st issue on planting leafy kale and cabbage came out.
Offset printed at Drukkerij Raddraaier in an edition of 250, folded A2.
*rawcooked is a periodical culinary magazine that investigates one specific local and seasonal product in each edition—from how it is farmed in Dutch soil, to how it is harvested, sold, and plated. The magazine portrays this topic through art, writing, and recipes: essays on consumption and perception; everyday recipes; articles on preservation; recommendations, tips, and tricks; poems inspired by it and art comprised of it; interviews with chefs; and sharing the voices of the farmers who make it all possible.
Order a copy via email, or find one in San Serriffe.
[2021]
A poster with photographs of the Oudemanhuispoort, the place where I had my studio for five years.
Pictures from the image database of Amsterdam’s city archives.
[2020]
Alternative cover for Chansons Pour Elle — Verlaine.
[2020]
Alternative cover for Selected Poems & Letters of Emily Dickinson.
Selected 2019Selected is an exhibition, curated by Public Rietveld, where each year nine graduates get the opportunity to show their graduation work outside of the academy.
In 2019, I was asked to do the graphic design of the publication, the online publicity, and the information inside the exhibition space. That year the exhibition took place at Looiersgracht 60.
Offset printed at Drukkerij Kaboem in an edition of 300, A4.
[2019]
You’ve got to play the cards you’re dealt*
Conversations on typographic choices
Interviewees: Sam de Groot, Floor Koomen, Will Holder, Sereina Rothenberger, Felix Salut, and Laura Pappa.
Riso printed at Drukkerij Kaboem.
[2019]
Signage for the Rietveld & Sandberg Library, in collaboration with Sissel Vejby Møller.
[2019]
2 posters, made in collaboration with Stepan Lipatov, for a lecture by Studio Hammer at the Gerrit Rietveld Academy.
A2 Riso print.
[2018]
A collection of six booklets, responding to Sketchbook by Emilie Ding, as a result of an assignment to redesign one of The Most Beautiful Swiss Books from 2017, given by Julia Born during the Rietveld Zürich 6-weeks residency.
In her book, Emilie Ding takes images of modernist architecture and uses them to create her own visual narrative through composition. This series of booklets documents and treats printed matter in a similar way as she treats architecture in her book; by capturing details, recontextualising, zooming in, cropping and moving the content around to create a new narrative.
Each booklet consists of either text or image excerpts from different sources found in the city: the Tages-Anzeiger—a Zürich newspaper—from Tuesday 25.09.18.; a BMW-manual from 2005; and the Oasis fan-magazine uncut presents: Oasis from 2002.
In collaboration with Klara Graah
[2019]
General General Dull Dull Dull and the Humdrum Ho Hum Commonplace—A lexicon of a work by Simon Becks or an attempt to catalogue a work through words.
Descriptions with a * are written by Simon Becks.
[2018]
A Culture of Order.
A publication consisting of stereotypes in history writing on Dutch design, landscape, and mentality.
“Nation-building concerns the ‘soft’ aspects of state consolidation such as the development of a common national identity among the inhabitants through symbols, propaganda, history writing, and the cultivation and ‘invention’ of traditions and national customs.”
— The Sustainability of De Facto States, Pål Kolstø, University of Oslo, 2008
[2018]
Alternative cover for Madness & Civilization — Foucault.
[2018]
Alternative cover for Lolita — Nabokov.
“Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.” — page 11
[2016]
Pamphlets for Flatplant—a performance evening at de Wittestraat.
A3 silkscreen.
[2016]
This is a brief history of the Phoenician alphabet and an introduction to its subsequent alphabets. The first step of the assignment was to make a keynote presentation for the optional subject, the second was to translate the presentation into a publication.
[2016]
A quick assignment, by Floor Koomen and Paul Kooiker, to make an A5 zine with black and white images on one subject. I’ve juxtaposed a collection of paintings that depict writing and reading.
[2016]
A poster I made for an assignment from Elizabeth Klement: each person in class was assigned a different building to make a poster for. I was happy to get De Flesseman on the Nieuwmarkt because I had noticed its pretty yellow facade each time I passed by.
De Flesseman, Nieuwmarkt 77, Amsterdam
Built in the years 1927–1930 by J. Roodenburgh and Hendrik Wijdeveld. New facade and refurbishment by Guido van Overbeek.